Sunday, April 13, 2014

Traffic Every Day: The Culture of Routineness

            In light of the teaching project my group will be doing on the concept of “everyday life”, my final paper will be an attempt to understand the significance of routine in the practice and study of culture.  The lens for this paper will be the concept of traffic and its ties to daily life in terms of work, leisure, and consumption.  While I have yet to conduct any in-depth research into the previous work on traffic, there appears to be little that considers this phenomenon from the perspective of cultural studies. 
Margaret Morse’s article, “An Ontology of Everyday Distraction: The Freeway, the Mall, and Television,” acts as my starting point for this venture, as she considers the automobile and freeway driving a significant “cultural form.”  Further, Morse quotes urban studies scholar David Brodsly, who, in discussing the Los Angeles freeway, argues that “the sustaining dream of most Southern Californians is to not live in, or even near, a city… in short, they’re looking for a comfortable small-town atmosphere in commuting distance of a big city.”  I want to investigate traffic and commuting as a cultural object – especially to think about whether these phenomena are cultural in nature, and why so much of the modern workforce, particularly in Los Angeles, buys into the commute.

Currently, I have three main areas that I would like to consider: traffic reporting, in terms of which areas are reported and how these reports are delivered; the act of commuting, in terms of its linkage to capitalist systems of the workday (i.e. rush hour); and the culture of the everyday more broadly, why the mundaneness of traffic might be more meaningful than we think. 

Works Cited
Morse, Margaret.  “An Ontology of Everyday Distraction: The Freeway, the Mall, and Television.”  In Logics of Television, Indiana UP, 1990.
Brodsly, David.  LA Freeway: An Appreciative Essay.  UC Press, 1981.
Sandywell, Barry.  “The Myth of Everyday Life: Toward a Heterology of the Ordinary.”  Cultural Studies 18: 2-3, 160-180.

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