This essay will
investigate the meaning of the cultural object of identity and the critical and
theoretical ways in which identity can be self-constructed, rooted within
secrecy, and threatened in our modern technological age. I will begin by
defining identity in relation to the individual and the ways in which it can
exist culturally as a both a privatized and publicized cultural object and the
complications that can arise when personal identities become a part of public
property in the open access environment of the internet. I will particularly examine
social media avenues such as Facebook, Twitter, Instagram and online dating
sites, through which individuals can both reaffirm their identities and
artfully reconstruct their identities for an external audience of followers.
The particular
problem I will investigate will involve what happens when an individual’s
publically revealed secrets (via images and blogging) can get into the wrong
hands. I will explore identity theft as a means of surveillance and as a psychological
exploration of an individual’s “secrecy” and discomfort regarding their own
identities. I will ground this study on identity theft in the media objects of online
dating sites as revealed through television shows such as Catfish, which investigate scenarios in which online dating
encounters can go wrong when one or both parties disguise their true identities
and adapt the physical or social characteristics of another. Through a cultural
studies approach I will examine how social relations involving the
representation of ones identity gradually become defined and endangered through
online means, where dating sites and social media can be held responsible for
both allowing for the fabrication of one’s identity and for utilizing
technology as a virtual “safe haven” to replace human interaction in the real
world, keeping the secrets of some public and available for disposal and the
secrets of others private and hidden under a masquerade of innovation
and technological dependency.
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